La polyphonie au service d’un ethos auctorial et d’une représentation sociale dans le roman de Faïza GUENE « Les gens du Balto ».

Abstract

If one finds, in a literary text, the presence of several voices in the same statement it is certainly thanks to the tools provided by the analysis of the speech that one will be able to unravel all these voices. This polyphony is doubly present in Faïza Guène's novel. On the one hand, it is a choral novel where several characters speak in turn; on the other hand, under this word other voices are hidden, which we will try to decipher.