الفن وفلسفة الواقع قراءة في رواية السيوف السلطانية لمحمد العون

Abstract

It is cognitively stable that the art has a crucial role to understand the reality and know its facts, from this point of view this study emerges, which discuss the role of Arabic novel in understanding the Egyptian reality in advanced time era. This stage is Mumluk rule of Egypt.Whoever meditates in the blog of the Egyptian novelist Mohamed El Awn (Royal swords), he realizes that it's dramatic work for Egyptian life especially, political of it during the Mamluk rule of Egypt. This novel addresses more than one component of components of the Egyptians, political component which is a ruling class. This class which consists of several components; Ruler, Princes and soidiers. Then, There are other components and various slides, the slide of scientists, judges, traders, shop owners and general people…..etc…. The novel almost melts all these slides in its drama and gives it an artistic character, that takes it out of its ordinary familiar reality to a distinctive creative reality. All this are through the creator's possession of creative energies; of language, feelings and artistic techniques, that makes the reader of the novel as if he is one of the eyewitnesses to the events of Egyptian reality in this deep time. When the novel was very rich, the researcher decided to gather this approachafter the introduction- in three sections; the first section: the semiology of the title , as the title is considered the first threshold in approaching literary texts, and through it the critic can understand the aims of the work, just as the recipient can understand the approach which presented by the critic. The second section: the narrative structure and issues of reality. Whoever meditates the events of the novel, he realizes that it solved issues of Egyptian reality at this time, through a major primary issue, represented by ( The seat of power), small subsidiary issues emerged, such as corruption, the attitude of the people and the social situation…etc.. The third section: Narrative structure and artistic techniques. This section is considered the backbone of this approach, as it contains many arrtistic techniqcal elements such as dialogue, whether external or internal, characters, primary and secondary, description and the language of paradox, flash back, time and place and finally language.