Analyse sémiotique de la première page de converture du roman

Abstract

This study consists in conducting a semiological study of the front cover of the novel "un apartment à Paris" by Guillame MUSSO. It is based on the following elements: the components of the first cover page, the background, colors and lighting, the relationship between the first cover pae and the novel hisyoire, and the text or writing. This analysis is based on the semiotic approach (Roland Barthes model) which proposes techniques for reading the image and its relationship with the text. It allowed us to confirm that the first cover page highlights a visual presentation that illustrates the story of the novel

This study consists in conducting a semiological study of the front cover of the novel "un apartment à Paris" by Guillame MUSSO. It is based on the following elements: the components of the first cover page, the background, colors and lighting, the relationship between the first cover pae and the novel hisyoire, and the text or writing. This analysis is based on the semiotic approach (Roland Barthes model) which proposes techniques for reading the image and its relationship with the text. It allowed us to confirm that the first cover page highlights a visual presentation that illustrates the story of the novel. KEYWORDS: semiotics. Semiotics approach. Front cover. Signs components image. History of novel

تكون هذه الدراسة من إجراء تحليل سيميولوجي للغلاف الأمامي لرواية " شقة في باريس" للكاتب قيوم موسو. ويستند هذا التحليل الى دراسة العناصر التالية مكونات صفحة الغلاف الاولى , الخلفية, الالوان والاضاءة, والعلاقة بين صفحة الغلاف الاولى و موضوع الرواية. ويستند هذا التحليل إلى المنهج السيميائي (نموذج رولاند بارث) الذي يقترح تقنيات لقراءة الصورة وعلاقتها بنص الرواية, سمح لنا هذا التحليل بالتأكيد على أن صفحة الغلاف الأولى تسلط الضوء على عرض مرئي يوضح قصة الرواية.